The
Last Summer. Judith Kinghorn. NAL Trade. December 2012. 464 pp. ISBN#:
9780451416636.
Clarissa Granville introduces the
reader to idyllic world of her home, Deyning Park, an English country home of
the aristocracy. She spends her days
learning to be the proper English wife of another upper class gentleman but the
majority of her early story concerns her long, rambling walks around the
estate. It’s a dreamy, solitary world she loves which is beginning to be
tainted by talk of impending war in Europe (WWI). Early on in the novel, she falls in love with
a servant’s son, Tom Cuthbert. Tom is
the “bastard” child who because of that association has been granted the
unheard of privilege of attending Oxford University to prepare for a career in
law. Clarissa’s mother does everything
in her power to block this “friendship” from growing but impressively fails to
deny what has already grown roots.
Clarissa’s father is sidetracked by failing finances, unknown to the rest
of the family, and her brothers are intent on living life to the fullest and
then doing one’s patriotic duty for England in the War.
Clarissa’s romance bears tragic
consequences and her friends manage to help her repress her tremendous
depression with parties, drink and “morphia.”
But eventually it all comes crashing down, along with other terrible
losses, exemplified by stark descriptions of the battle fields abroad teeming
with blood, gas, life-altering wounds and death in all its grisly reality.
The novel continues to progress from
that naive dreamlike state to an almost surrealistic brutality in which every
character’s life is dramatically, emphatically changed forever. But love will survive and it does so for
Clarissa and Tom in spite of marriages, separation by an ocean and years, and
the interfering efforts of well-intentioned but hypocritical family members who
preach what they do not practice.
The novel is obviously
well-researched regarding WWI and its effects on members of all classes. What is particularly outstanding about this
story, however, is the beautiful quality of Kinghorn’s prose which parallels
the mental and emotional ambiance of each time period portrayed before, during
and after the war. While some have
compared this novel to The Great Gatsby
by F. Scott Fitzgerald, this reviewer found the similar aspects of both novels
to be more credible herein as the gaiety is more of a desperate attempt at
escapism than anything else, not really a celebration in any true sense of the
term.
While the characters may be somewhat
stereotypical, the complex plot of this novel is extraordinary and holds the
reader mesmerized from the first to last page. Extraordinary historical fiction
and highly recommended.
No comments:
Post a Comment