Red
Letter Days. Sarah Jane Stratford. Penguin Publishing Group. February 2020. pb,
400 pp.; ISBN:
9780451475572.
In
the late 1950s Senator Joe McCarthy began what came to be known as the “Red
Scare.” Halfway through that period,
even after Senator McCarthy had to withdrawn from the HUAC or House of
Un-American Activities Committee, the Committee was still holding trials of
those who were blacklisted for an association with either the Communist or Red
Party others associated with the same party.
The source of most of their information were lists of people who named
others so that they would be released and cleared of being a Red. This is the story of two women writers who
were blacklisted, one (Phoebe Adler) of whom had escaped a subpoena by fleeing
to England. Phoebe must work as a script
writer in order to financially support her very ill sister living in a health
sanitarium. After she gets blacklisted
based on someone else’s false confession, she leaves for England and begins,
thanks to the helpfulness of Hannah, a woman who has hired several blacklisted
writers and producers. The choice was
this escape or trial and jail plus heft financial fines. However, note that
Phoebe and Hannah are very good writers!
The
travesty of those who did not escape is that their careers were totally
ruined. But thee exiles got a second
chance. Eventually some were arrested in
England, brought back to American and made to appear before the HUAC. Some thanks to strong supporters made it
through and returned to England but the story still needed to be told because
of the hell they went through, like Phoebe, in the long anxiety-producing,
fearful process or journey. Sarah-Jane
Stratford has certainly done a great deal of research and this novel is a
poignant account of that experience for far too many writers, actors, producers
and directors accused of being Communists.
There
is also a subplot of the role of married women who chose to work after the war
and who therefore were considered to be unfeminine. Some stuck it out; some wound up
divorced. These women were assuming
roles for the first time that Americans were not always willing to accept. The novel also contains some very funny
moments as scripts are being prepared for the TV production of Robin Hood and
another for The Legend of Lancelot.
Remarkable,
intelligent, adventurous, and engaging historical fiction that is well-crafted,
fascinating and highly readable. A must
read! Enjoy!